International Congress on Media, Gender and Sexualities: Representations, Literacies and Audiences
2023, Jun 06 - Jun 10
Organizers:
Maria-Jose Masanet (University of Barcelona)
María Teresa Soto-Sanfiel (National University of Singapore - UAB)
Download pdf version of the program here.
Download Congress Proceedings here.
| Registration | |
| Science Centre. Secretariat. Lobby | |
| KEYNOTE SPEAKER | |
| A distinction: What makes us do what we do. On the study of media and gender | |
| Sofie Van Bauwel (Room A) | |
| KEYNOTE SPEAKER | |
| Trans radical media engagement of mothers and daughters on Youtube and Instagram | |
| Lucas Platero Méndez(Room A) | |
| WORKSHOPS | |
| WP1 - Reconstruyendo el imaginario sobre la sexualidad adolescente | |
| Maria González. Centro Joven de Atención a las Sexualidades (Room A - This workshop will be in Spanish) | |
| WP2 - From research to the classroom: how to design learning situations with gender perspective | |
| José Miguel Tomasena. Barri Media Lab. (Room B) | |
| WP3 - Creating diverse realities. A workshop on fictional character creation through the ODA report | |
| Emilio Papamija Urbano (Room C) | |
| PAPER SESSIONS | |
| PS1 - Film Studies, Gender and Diversities I | |
| Chair: Sergio Villanueva (Room A) | |
| A movie with a happy messy ending: Mess as a queer tactic is Lebanese cinema | |
| Abed Al Wahab Kassir, Cilia Willem and Iolanda Tortajada | |
| Queering melodrama in Argentina: Domestic sphere, adolescents and non-normative desire | |
| Daniel Mourenza | |
| (Re)constructing the villain beyond gender stereotypes. The heroine journey as a new narrative structure in Disney's female characters | |
| Margarida Carnicé Mur, Maddalena Fedele and Maria-José Masanet | |
| Sadly Straight: The Affective Dynamics of Heterosexuality in Gay Pornography. | |
| Doron Mosenzon | |
| PS2 - TV Series Representations and Diversities | |
| Chair: Anna Iñigo (Room B - This session will be in Spanish) | |
| ¿Permanece el estigma en la representación transgénero en la ficción seriada? Análisis del personaje central de 'Euphoria' como referente vanguardista | |
| Carme Ferré Pavia and Nathalie Martín | |
| Dystopia and teen characters: The 100 and non-normative representations | |
| Maddalena Fedele, Maria-Jose Masanet and Margarida Carnicé Mur | |
| Representación audiovisual del colectivo LGBT: tendencia arquetípica de los personajes en las series de ficción televisiva | |
| María José Higueras-Ruiz and María González-Corisco | |
| Non-binary representation in teen series aimed at general audiences | |
| Vítor Blanco-Fernández, Sikemi Akinmade and María Teresa Soto- Sanfiel | |
| Presenting the 'DIGISCREENS - Identities and Democratic Values on European Screens' European project | |
| Ángela Rivera-Izquierdo, Orianna Calderón-Sandoval and Adelina Sánchez Espinosa | |
| PS3 - Online Discourses and Gender Violence | |
| Chair: Esmeralda A Vazquez (Room C) | |
| Cancel culture, Amber Heard and Just Stop Oil: an intersectional, feminist desecration of freedom of speech | |
| Marta Roqueta-Fernàndez | |
| 'Nunca caminarás sola' Crisis social: estudio de caso sobre el discurso de odio antifeminista hacia el Ministerio de Igualdad liderado por Irene Montero | |
| Metzeri Sánchez-Meza, Lluïsa Schlesier Corrales, Mariona Visa Barbosa and Marga Carnicé Mur | |
| RedPill re-visited: new expressions of anger and misogyny online | |
| Ng Qian Qian | |
| Defending local oppression by citing global liberation: TERF populism against imaginary trans privileges in Turkish new media | |
| Liv IZGI | |
| Online hostility against women | |
| Tamara Kunić | |
| PS4 - Literature, Gender and Sexualities | |
| Chair: Laura Fernández Aguilera (Room A) | |
| White, middle-class... and mad? Representations of bisexuality in French young adult fiction, 2013-2020 | |
| Elizabeth L. Chapman | |
| Reassembling the literary canon from the margins: The case of the Mexican feminist reading marathon \#GuadalupeReinas | |
| José M. Tomasena and Mar Guerrero-Pico | |
| In the book world: A gender perspective | |
| Michela Donatelli | |
| PS5 - Formal Education, Gender and LGBTI+ | |
| Chair: Adriana Ibiti (Room B - This session will be in Spanish) | |
| Creating media content with a gender perspective: The case of undergraduate students of Audiovisual Communication | |
| Adrien Faure-Carvallo, Hibai López-Gonzalez, José M. Tomasena and Maddalena Fedele | |
| Gender and LGBTQ perspective in information and media studies: the GendIMS case | |
| Anna Villarroya, Juan-José Boté-Vericad, Maddalena Fedele and Marga Carnicé Mur | |
| GEMPIMS: A mentoring program to incorporate the gender perspective in Information and Media Studies | |
| Juan-José Boté-Vericad, Anna Villarroya, Aurora Vall and Marga Carnicé Mur | |
| Profesores de hoy diseñando el futuro: un estudio piloto de percepciones sobre la relación entre la diversidad sexual y de género y el contexto escola | |
| Marcus Pereira Junior, Maria Filomena Rodrigues Teixeira and Ana Rodrigues | |
| PS6 - Responses to Media Representations | |
| Chair: María Teresa Soto-Sanfiel (Room C) | |
| Current concerns in using scales to measure attitudes towards LGTBI people in media | |
| Ariadna Angulo-Brunet, Oscar Lecuona and Miguel Ángel López-Sáez | |
| Spanish adolescents perspectives of LGBTQ+ characters in scripted series | |
| María Teresa Soto-Sanfiel and Esmeralda A Vazquez | |
| Trans audiences on trans representation in media: amidst visibility, stereotypes, transnormativity and pedagogy | |
| Rafael Ventura, Isabel Villegas-Simón and Juan José Sánchez-Soriano | |
| Presentation of Retrats Intermitents (Intermittent Portraits), a podcast of LGBTIQA+ representation, plus a live recording of a program | |
| Vítor Blanco-Fernández, Isabel Villegas-Simón, Ona Anglada-Pujol, María Castellví Lloveras and Isabel Rodríguez de Dios |
| KEYNOTE SPEAKER | |
| Intersectional perspectives on gender and sexualities: representations, methodologies and applications | |
| Maria Rodó-Zárate (Room A) | |
| ROUND TABLE: Researching on LGBTI+, Gender and Media - Presentation and Discussion of Research Projects | |
| Chair: Eduard Ballesté-Isern (Room A) | |
| Transmedia Gender and LGBTI+ Literacy (Universitat de Barcelona) | |
| Maria-Jose Masanet, Anna Iñigo, Laura Fernández Aguilera, Maria González, José Miguel Tomasena, Fernanda Pires, Vítor Blanco-Fernández, Sergio Villanueva, Margarida Carnicé Mur, Adrien Faure, Juan-José Boté-Vericad and Cristina Colomé | |
| LGBTIQ+ representations in Spanish fiction series and its effectiveness in reducing prejudice based on sexual orientation and gender identity | |
| María Teresa Soto-Sanfiel, Ariadna Angulo-Brunet, Vítor Blanco-Fernández, Beatríz González de Garay, Juan José Sánchez-Soriano, Esmeralda A Vazquez, Rafael Ventura and Isabel Villegas-Simón | |
| WORKSHOPS | |
| WP4 - Queerizando el periodismo local: reflexiones sobre el tratamiento mediático de las disidencias sexogenéricas a partir de una experiencia formativa en un medio de comunicación leridano | |
| Ixeya Quesada Consejo. Asociación Colors de Ponent (Room B - This workshop will be in Spanish) | |
| WP5 - We Need You! (Re)Defining Tools to Assess Transphobia in Adolescents | |
| Ariadna Angulo-Brunet. Universitat Oberta de Catalunya (Room C) | |
| WP6 - Do you want to help our characters to flourish? 'All The Flowers' transmedia project impact production workshop | |
| Alejandro Angel Torres and Carmen Oquendo-Villar (Room A) | |
| PAPER SESSIONS | |
| PS7 - Film Studies, Gender and Diversities II | |
| Chair: Margarida Carnicé Mur (Room A - This session will be in Spanish) | |
| Elogio de la diferencia: Sexualidad, cuerpo y performance en la primera etapa del cine de Victoria Abril | |
| María Adell Carmona | |
| Estrategias de inscripción de las sensibilidades queer en Fogo-fátuo (Rodrigues, 2022) | |
| Pablo Calviño Tato | |
| Fijar el momento: la cámara fotográfica como vehículo de representación de la subjetividad lésbica en el cine contemporáneo | |
| Violeta Kovacsics and Francina Ribes | |
| PS8 - Non-Fiction Narratives, Gender and Sexualities | |
| Chair: Daniel Mourenza (Room B) | |
| Representations of gender and sexuality in international documentaries about the Olympic Rio | |
| Ana Teresa Gotardo and Ricardo Ferreira Freitas | |
| Denouncing media LGBTIfobia. Challenges for the information and communication rights facing hate speech in Catalonia | |
| Anna Clua-Infante, Vicent Canet and Josep Granados- Lladós | |
| La presencia del deporte femenino en la Televisión Pública Española, temporada 2021/22 | |
| Isaac Pecino Peláez and Lorena Gómez | |
| Beyond the newspaper's headlines: How the relation with feminism affects the representation of women in cultural press | |
| María Martínez Sánchez | |
| PS9 - Gender and Sexualities in Social Media | |
| Chair: Vítor Blanco-Fernández (Room C) | |
| LGBTIQ representations in tourism: the case of lesbian travel influencers | |
| Núria Abellan Calvet | |
| New trends and models of femininity on Tiktok | |
| Simona Tirocchi | |
| El efecto de los Influencers. Su influencia según el género a través de las historias de Instagram | |
| Vicente Villalba Palacin, Elena Sorribes Soto, Lydia Sanchez Gomez and Caterina Calderon Garrido | |
| We can laugh at anything, but not at my beauty! Gender differences in the use of Tik Tok filters | |
| Gabriella Taddeo | |
| He fucked the girl out of me: portraying trauma and gender identity in gaming | |
| Bruno Leal | |
| Mitigating transphobia through the narratives of transgender YouTubers | |
| María Teresa Soto-Sanfiel and Isabel Rodríguez-de-Dios | |
| PS10 - Debates on Sex, Gender and Media | |
| Chair: Rafael Ventura (Room A) | |
| Desiring to possess/desiring proximity | |
| Bianca Arnold | |
| Integrating the animal standpoint into critical gender and LGTBI+ media studies | |
| Laura Fernández Aguilera and Tugçe Ataci | |
| Too queer or not too queer? Media portrayal of the European song contest in light of Hungary's withdrawal | |
| Alexandra Sipos | |
| The Music Analysis Model (MAS-Model) from a content analysis: An approximation to problematize contemporary music representations | |
| Priscila Alvarez-Cueva | |
| Reimagining sexual scripts: Technology and sexuality in the digital age | |
| Facundo Nazareno Suenzo | |
| Cuerpos menstruantes: representaciones mediáticas y sociales | |
| Marina Diez-Pastor Prado | |
| PS11 - Informal Learning, Media, Gender and LGBTI+ | |
| Chair: José-Miguel Tomasena (Room B) | |
| Hacking the narrative: Examining trans literacies in video games | |
| Alex Andriushchenko | |
| Writing matter(s):dis-entangling feminist materialdiscursive practices in Alejandra Smits transmedia work | |
| Belén Cornejo Daza | |
| La campaña ABCLGBTQIA+ Aprender es parte: impacto mediático | |
| Maria Filomena Rodrigues Teixeira, Fernando M. Marques and Ana Frias | |
| Breaking sexual taboos! Peer-to-peer informal learning about sexuality and gender in a transmedia environment | |
| Maria-Jose Masanet, Laura Fernández Aguilera and Sergio Villanueva | |
| (Un) Doing Gender in Psychotherapy: A queer workshop for psychotherapists and practitioners to enhance their cultural competencies in healthcare for LGBTQIA+ people | |
| Pilar Alejandra Navarro Cerda, Marta Alicia Giménez Páez and Marta Evelia Aparicio García | |
| PS12 - Social Media, Audiences and Sexualities | |
| Chair: Ariadna Angulo-Brunet (Room C) | |
| 'I tell you whether she is sexy or slutty': Female gaze on Chinese social media | |
| Jiangnan Xiang | |
| Queer internet memes as memes of naïve camp reading | |
| Matej Hrib | |
| Social media and adolescents: Genre differences in uses, motivations and perceptions | |
| Oihane Korres Alonso, Álvaro Moro Inchaurtieta, Iciar Elexpuru Albizuri, Ignacio Bergillos García and Sue Aran-Ramspott | |
| Social media, youth and hate speech along gender and sexuality: Experiences, interpretations, and ways of dealings | |
| Raik Roth | |
| (Post)Feminist debates on sexual consent in the teen series 'The hockey girls': Reactions of audiences in Instagram | |
| Orianna Calderón-Sandoval, Isabel Villegas-Simón and Pilar Medina-Bravo |
| KEYNOTE SPEAKER | |
| Trans after trans: Representing gender variance | |
| Jack Halberstam (online) | |
| CONGRESS CLOSING | |
| CONGRESS CLOSING DINNER in SOMMOS Hotel Aneto | |